IN MAY 1997, as Tony Blair walked through the gates of Downing Street and Donald Trump divorced his second wife, two teenage boys, fresh from sitting their GCSEs, were sitting in a sunny bedroom in Leicester recording music.
Twenty years later and Labour are back in opposition and Mr Trump is the controversial leader of the free world. But those 16-year-olds? They've just scored their fifth consecutive number one album and, like they do almost every summer, are preparing to headline a string of festivals around the world – and looking forward to their return to Belfast.
Love or hate Kasabian, they've survived the cull of post-Britpop bands and with their latest record, For Crying Out Loud, arriving to critical and popular success, it's difficult to ignore their longevity.
"It's mad that we had just left school," says Tom Meighan, sitting alongside his best friend of those two-decades. "It would have been this time almost exactly," he adds, "It was during our GCSEs in April, in the early summer. I was working in a Doc Martins factory and I remember going to Serge's on the bus and we were recording. It was dead sunny outside, I can still smell the garden. I can see it all now; that was 20 years ago."
Sergio Pizzorno exhales. "Whoosh, gone."
Moments earlier, the pair could be found rifling through their publicist's CD collection. Meighan, with child-like abandon, grabbed at several "Texas!.... Rufus Wainwright... Depeche Mode."
They are very different from each other, these two rock stars. The frontman leans forward and back again, eyes darting around the room. He quizzes Pizzorno on what to say and aims most responses at his bandmate, who is calmer, relaxed.
Meighan cackles madly in response to a question about the contrasting year they endured in 2016. While the tall, skinny guitarist and songwriter wed his longtime girlfriend, Meighan split from his own long-term partner. He admits the upbeat nature of Pizzorno's writing on For Crying Out Loud kept him going.
"I don't know where I would be if I hadn't have heard Acid House or any of the beautiful songs that Serge has written," he says. "It saved me, It really did, it gave me hope. Everything was negative in my life and it picked me up and gave me a new lease. I just needed it and something to focus on."
"I wrote the first 10 tracks really quickly", says Pizzorno as he volunteers an explanation of the album's journey. That's key to what this album is, it's very concise and it is a feel-good, uplifting record and I think if you make an album over a year you go through more ups and downs."
Notably, that short period early last year coincided with the band's beloved Leicester City upsetting all the odds and winning the Premier League title. Meighan takes off where the guitarist left off. "Imagine if he had written a depressing record?"
The cheerful mantra of the album is insistent. As one reviewer wrote, it can feel a little like someone shouting "cheer up love!" down your ear for an hour. But it's largely been well received, although one negative was the reaction to You're In Love With A Psycho. A mental-health charity called the use of Psycho and the track's accompanying video, which is set in a psychiatric ward, "damaging and disappointing".
Unaware he is mocking Mr Trump, Meighan calls their reaction "sad", while Pizzorno reasons "it's how people round our way talk".
He adds, "It's when I say to my missus I'm gonna get home at 12 at night and then I don't come home till Tuesday and she rings her mates and says 'Ah, he's gone psycho, I've not seen him all day'. They're completely taking it the wrong way."
At this point Meighan, perhaps reminded so much of his school days by the talk of 1997, appears to return to the classroom as he asks for permission to visit the toilet before remembering himself and, chuckling, wanders off.
A few weeks before the album's release, the band took over Kentish Town Forum for a three-night residency and will headline Reading and Leeds Festivals for the second time in August where they tease a "surprise" is in store, but won't elaborate.
They've also headlined Glastonbury twice and, in an era where British bands are struggling to top the bills on the biggest stage, what do they think about the lack of guitar groups?
"It's beyond a massacre, devastation honestly mate," says Pizzorno.
"To headline a festival you need four or five big albums, you can't just have one album and go 'Waah, I'm not headlining'. Well f****** write another good album, then write another one then write another one. Then when you headline you've f****** got 15 songs that are massive. You can't go on there with one good song because you're done."
Meighan, who has returned, interrupts, "You've gotta remember it's not just purely your fans. If you go out there like a small man you get found out. But you just feel like a god, like a leader. Nothing can touch that. You feel like a giant."
Pizzorno differs. He has had to learn to enjoy the performance side and developed a headspace he slides into in the walk from dressing room to stage. In fact, it turns out the four-piece have headlined a festival every year bar one since 2010 and admit the 20 years has taken its toll.
"For every year we've been doing this," Pizzorno says, "we've lived five in that year, so we've lived a hundred years".
"F****** hell, yeah", agrees Meighan.
"A minute ago we were 16 years-old," he laughs, reflecting, "But we wouldn't still be doing it if we didn't love it."
:: For Crying Out Loud is out now. Kasabian play Belfast's Custom House Square on Tuesday August 22 (ticketmaster.ie).
