trad
Belfast folk stalwart Fergus O'Hare on Deep in My Heart, an album of deeply personal songs
In nearly everything Fergus O'Hare does, there is an altruism and a philanthropy at its very heart.
Boris Grebenshikov, the anti-Putin, anti-war 'poet laureate of Russian speakers' exiled from Russia comes to Armagh, Belfast and Dublin: 'The Chieftains opened Irish beauty for me'
Boris Grebenshikov has to be one of the most intriguing artists I've ever interviewed.
Nodlaig Ní Bhrollaigh: Evoking memories of people and places
Acclaimed harpist Nodlaig Ní Bhrollaigh – of the famous Brolly clan from Co Derry – talks to Robert McMillen about Cuimhní Rúnda/Hidden Memories, her first solo album in 20 years
Co Derry's Cara Dillon on making Stendhal Festival debut and why there's still no place like home
THIS weekend, Cara Dillon will make her debut at the Stendhal Festival in Limavady, but while it's the acclaimed singer-songwriter's first time performing at the annual music event, the Co Derry-born musician is no stranger to the local area.
‘Master musician’ sessions among unique events for Belfast TradFest
All sessions are free admission and last two hours.
Trad: Ríoghnach Connolly on her many musical projects
THERMAL underwear. A snood, monkey hat, woolly gloves and an overcoat.
The Mary Wallopers on being anointed by The Pogues, their debut album and return to Belfast
WHILE Dundalk tradsters The Mary Wallopers might be renowned for their lively, booze-soaked performances, it seems frontman Charles Hendy might not be as able for the craic as he once was, at least based on the last time the group were up in Belfast.
Trad/Roots: Autumn trad highlights for the 'hear and now'
WELL, the four-day summer has finally come to an end and people are returning from their foreign holidays on the Costas or their caravan in Millisle or their trip to the Gaeltacht ready to get stuck into the many activities which start up again in the autumn.
Trad: Harpist Máire Ní Chathasaigh on taking her instrument back to the future
THERE is an incredible number of people playing the harp these days, thanks in no small part to Máire Ní Chathasaigh, a harper who took the instrument 'back to the future', bringing it back to its original role of accompanying dancing and freeing it from the twee 'Oirish' world in which it existed for so long.